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Which object caught your eye?

A little movement can make a big difference!

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Brands, cultural institutions, and independent creators are all fighting for the same attention, and the visual landscape keeps getting busier. With so  many messages aimed at  the same audience, even a  strong idea can get overlooked  — or  simply forgotten.

2D  animation offers a  way out of  that noise. Movement, personality, and visual storytelling give people a  reason to  stop, connect with your message, and at&nbsp0; it.

Let’s bring your brand to life!

Who am I?

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What I’ve done?

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What does working together look like?

A real-world case study

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Moodboard, sketches and the final character design

This project was created for the State Museum— Cultural Center «Integration» named after N. A. Ostrovsky, an  institution dedicated to  making cultural life more accessible to  people with disabilities.

For the visual direction, I  drew inspiration from UPA’ s distinctive animation style, alongside mid-century animation and editorial illustration from the 1950s and ’60s.

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The brief came with a few specific requirements:



  • The main goal was to familiarise visitors with the museum’s layout and facilities before their visit, helping them understand where to find what they need and how to navigate the space.

  • The main character is a friendly, smiling tour guide.

  • To create a welcoming and comfortable viewing experience, the visuals needed to avoid harsh movements, startling transitions, and overly intense colours.

With these considerations in mind, I chose a simple visual style combining 2D animation with infographic elements and clear wayfinding cues. I also recorded the voice-over myself, guiding viewers through the museum’s facilities, explaining where everything is located, and outlining how to interact with the exhibits appropriately.
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Storyboard

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Interior photos

Next, I  visited the museum in  person and photographed its interiors from different angles. These photographs became the reference for the animated backgrounds, allowing me  to  preserve the recognisable features of  the real spaces while adapting them to  the colour palette and subtle stylisation established at  the start of  the project.

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Backgrounds

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Background (the main building)

The final film

I  shared work-in-progress updates with the clients at  every step for rewiew and approval

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Beyond animation

Other creative projects

Outside animation, I enjoy exploring different creative disciplines and combining them in new ways. I work with traditional art materials, gained my first experience in branding during my first year at university, and have a basic working knowledge of 3D in Blender. I’ve been creating sound design for my own animation projects since my first year at university. In my third year, I also tried my hand at music composition.

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Traditional art and branding projects

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